ABOUT/

Jena Argenta is a language-based visual artist, educator, writer, consultant, & collaborative entrepreneur. She is founding director of Brush & Reed LLC, a nomadic teaching resource dedicated to global calligraphic sensibilities & the fine arts of communication. Her teaching, visual works, writings, collaborations, & curatorial efforts explore an expanded view of communication—highlighting links between social justice, entrepreneurship, multi-sensory semiotics, healing arts, fine arts, & the continued influence of calligraphic traditions & cultures on contemporary trends. Jēna has a BA from Sarah Lawrence College in (post)colonial studies. She apprenticed in Arabic Calligraphy in the Thuluth style with Elinor Aishah Holland in NY & Ahmet Bursali in Istanbul. Her visual work has been privately & commercially commissioned in NYC, NM, CO, MA & Mexico. Her Kimono designs walked the red carpet at the Fez Music Festival in Morocco. For over a decade, she has taught & presented across the US, & in Puerto Rico, Costa Rica & in the CO wilderness through Outward Bound. She is author & illustrator of six commissioned art tutorial books including: Chinese Brush Techniques, Contemporary Calligraphy, & The Art of The Scribble. She was 2020 writer in residence at The Poetry Barn, working on a book of poems, Undressed Gods, that explore family, national, & psycho-spiritual legacies—seeking to leave the wedding/not just its white dress. Jēna was head cook at The Sufi Lodge in NYC for five years & incorporates the art of “savoring” into her signature Love Letters retreats. Her project, How do you write a love letter in American Ink? received a 2024 Arts Mid-Hudson regrant. Through Orange County Arts Council, she directed the 2025 Sustainable Arts Program--doubling programing by incorporating hands-on, community building activities. She is a graduate of Leadership Orange, 2025 & is current Artist in Residence at Goshen Green Farm.

What if the primary sensory organ is neither the eyes nor the ears, but the heart?

How can art make present, not just represent?

—Wendy Shaw, Islamic Art Historian